Mary Poppins Returns: A Supercalifragilistic-Nostalgic Good Time

*Do not worry my dearies, this is a non-spoiler review!

marypoppinsposter

Photo courtesy of Disney© 2018 Disney Enterprises, Inc.

Over 50 years after the original graced the screen, Mary Poppins is back to teach a whole new generation, young and old, the importance of family. Much like in the first film, the Banks’ have fallen on hard times and it is up to Mary Poppins to not only help the children find their way but remind the original Banks children to release their inner child once in awhile. Rob Marshall, from Chicago and Into the Woods acclaim, directed this return to the world of Poppins and for the most part I believe he succeeds in creating a worthy successor. The cinematography is stunning and it truly feels like we never left Cherry Tree Lane.

If there were any doubts Emily Blunt could fill the shoes of the legendary Julie Andrews, they are quickly swept away upon hearing her first musical number. Blunt totally embodies the role while still completely making it her own. This is not some cheap impression of Andrews’ Poppins but a respectful homage and spirited new take on the famous British nanny. Blunt brings a stern yet playful mystique to the titular character and infuses her with just the right amount of charm and wit to keep the audience smiling every time she appears on screen. Ben Wishaw and Emily Mortimer play the grown up Michael and Jane Banks. Wishaw is given a bit more to do but both he & Mortimer play their parts perfectly and work well off each other. Michael’s children, played by Pixie Davies, Nathanael Saleh, and Joel Dawson are little scene stealers and carry the majority of the movie with their believability and childlike wonder. Dawson as little Georgie is the standout of the bunch, particularly whenever he gets a chance to shine with Blunt. Lin-Manuel Miranda rounds out the cast as Jack, sort of the Bert to Blunt’s Mary. Miranda is a great stage actor, most known for his massive success in Hamilton and In the Heights. However, Miranda’s stage presence doesn’t necessarily translate as well onto the silver screen. This being his first major movie, I feel he will improve with time but when comparing him to the shining star that is Emily Blunt, his light doesn’t shine as bright.

marypoppinsbike

Photo courtesy of imdb.com via Jay Maidment© 2017 Disney Enterprises, Inc. 

The story is simple but a complicated plot is not necessary when there are fun characters and musical numbers to keep you entertained. All of the musical bits are lively and joyous and will have you tapping your toe along with the beat. Although I don’t believe any of the songs rival the original classics, they are still well orchestrated and fit perfectly within the film. As soon as I left the theater I immediately downloaded the soundtrack to listen to on the drive home. The sweet and melancholic The Place Where Lost Things Go is a particular gem to look out for and is the film’s sole Oscar nominated song.

The film hits many of the beats of it’s predecessor but doesn’t feel like a direct copy, rather an updated homage. The, at the time, ground breaking 2D animation is brought back for a stunning musical sequence that takes place in a Royal Doulton bowl that I could have watched forever.

marypoppinscartoon

Photo courtesy of Disney© 2018 Disney Enterprises, Inc. 

Overall, Mary Poppins Returns is a worthy successor to the 1964 classic that will be enjoyed by kids and adults alike. Let us hope we don’t have to wait another 50 years to see our favorite nanny once again! Although, with the success of this film and the praise for Blunt’s portrayal, I feel another sequel is not far behind.

**Minor spoiler, if you didn’t watch the trailer**

Be on the look out for some well placed cameos from Meryl Streep, Angela Lansbury and the one & only Dick Van Dyke!

 

 

‘A Star is Born’ Review: Love, Fame & the Price We Pay

*Don’t worry little monsters, this is a non-spoiler review!*

astarisbornposter

Don’t forget the tissues because this film will surely leave you in tears. This is the fourth telling of this story but it might as well have been the first due to Bradley Cooper’s vision for the film. A Star is Born follows Jackson Maine, played by Bradley Cooper, an alcoholic country rockstar who just wants to make music and drink his cares away. Jack meets Ally, played by Lady Gaga, a down on her luck waitress who has an amazing voice but doesn’t believe in herself. The film shows their journey of falling in love and the pitfalls of fame and having to navigate those challenges together.

Bradley Cooper is truly a tour de force, directing, acting & co-writing in this film. For a directorial debut, it feels like he has been making movies all his life. The concert scenes feel like you are on stage with the performers, like you are part of the show. I’ve never experienced watching a concert that way in a movie before. It usually comes across as artificial and “staged”  but not in this film. The sound design transports you right into the crowd. You could have easily convinced me this was a real music documentary due to how all the concert footage was shot. Cooper also takes this intimacy into his scenes with Gaga. He uses a lot of close ups and over the shoulder shots that suck you into their love story. You believe they are falling in love with each other because as an audience member you are falling in love with them too. As far as his acting in the film, Cooper utterly transforms into Jack. He has a growling, cracked, deep voice and you completely believe that he is drunk most of the film. It it so hard to convincingly act buzzed or drunk and it not seem over the top or trying too hard but Cooper’s mannerisms, the way he slurs some of his words but not all, and even his walk, all convey a masterful portrayal of a man struggling with the disease of alcoholism. Since he plays it so honestly you can’t help but love him despite his many struggles. We haven’t even gotten to his voice! Who knew Bradley Cooper could sing? I would buy his character’s album right now. The country/rock jam band sound of Jackson Maine is electric and the songs could be on the radio today.

cooperdirector

Image courtesy of Clay Enos via imdb.com

As much as this movie is a showcase for Bradley Cooper, it would not have had the emotional authenticity it did without the performance of Lady Gaga. She is Ally. For a musical superstar of her caliber to convince an audience that she is about to perform on a huge stage for the first time and for us to buy into her feelings of nervousness and reluctance is a credit to her as an actress. When she is performing as Ally you see Ally, not the superstar Lady Gaga. Being a huge Gaga fan myself, you can even pick up on subtle differences in her voice and how she is singing with some slightly different inflections than her usual sound. This role was tailor made to Gaga’s strengths and she knocks it out of the park. From the first scene we are introduced to her, we understand her character’s motivations and get a sense of her fiery personality. The chemistry between her and Cooper’s character leaps off the screen. Their scenes together feel like people having a real conversation and not reciting scripted lines. It almost feels as though we are watching a reality tv program about their lives. You fall in love with the earnest, vulnerability of Ally at the beginning of the film just like Jack did, so it becomes even harder to stomach how she subtly changes once she gets thrust into the pop world and loses some of that authenticity that she started with.

astarisbornstage

Although this story centers around Lady Gaga and Bradley Cooper’s characters, the supporting cast should not be overlooked. Sam Elliott gives a heartfelt performance as Cooper’s much older brother Bobby. I felt myself wanting more scenes of the brothers together because of Cooper and Elliott’s instant kinship. Andrew Dice Clay gives a fun and layered performance as Ally’s father. Her interactions with him being a former alcoholic definitely help you understand Ally’s relationship to Jack. Anthony Ramos, of Hamilton fame plays Ally’s best friend Ramon. They truly seemed like best friends and their camaraderie was a highlight of the film. Rounding out the cast is Dave Chappelle, playing Jack’s best friend George ‘Noodles’ Stone. With not many dramatic credits to his name, Chappelle takes this small role and gives a nice believability and ease to it.

The film is a tad long, coming in at just over 2 hours, with the first half having a better flow than the second but you don’t notice as much due to the emotional investment in the love story Cooper and Gaga are weaving together. This rendition of A Star is Born has so much heart that it will stick with you long after you’ve left the theater. It showcases a touching love story, poignant songs and a sobering look at what alcoholism and depression does to a person and the people they love.

astarisbornpiano

Keep a lookout during awards season because this definitely will garner some Golden Globes and Oscar nominations. I would venture to say you can expect nominations for Gaga and Cooper in the acting categories as well as directing for Cooper. Of course the category of Best Original Song is most likely it’s best chance of garnering a win seeing as the soundtrack boosts many great choices from ‘The Shallow’, ‘Look What I Found’ and ‘I’ll Never Love Again’. This would also be the perfect opportunity to have Lady Gaga and Bradley Cooper perform one or two of these songs live before the Hollywood audience, seeing as Gaga has an excellent track record with Oscar performances. Speaking of the soundtrack, I highly recommend picking it up as it includes songs that didn’t make it into the movie and dialogue interludes between each song.

*All images courtesy of © 2018 Warner Bros. Entertainment Inc. & Metro-Goldwyn-Mayer Pictures Inc. via imdb.com

© Allyson Nold, reelramblings.com, 2018. Unauthorized use and/or duplication of this material without express and written permission from this site’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Allyson Nold and reelramblings.com with appropriate and specific direction to the original content. All content on this site is owned by reelramblings.com unless specifically stated otherwise. Credit will be given to the original owner’s content when used on this site.

‘Mamma Mia! Here We Go Again’: The Feel Good Sequel/Prequel of the Summer

***Have no fear you Dancing Queen! This is a Non-Spoiler Review.****

mammamiaimdb2

Photo courtesy of imdb.com

A long time ago, in the simpler time of 2008, a movie about a young girl inviting her 3 possible fathers to her wedding captivated the world. Mamma Mia! became the highest grossing live-action musical of all time until it was recently surpassed by the live-action Beauty and the Beast in 2017 and most notably, it was the highest grossing film directed by a woman until the Patty Jenkins directed blockbuster, Wonder Woman. 

Now it’s ten years later and it’s time to step back on that disco fueled, glitter infused ABBA train. All our old favorites from the first film have returned although Donna, played by Meryl Streep, has a significantly smaller role than in the original. We follow Sophie, played by Amanda Seyfried, as she is getting ready to reopen the hotel her mother started. Amongst the chaos of the reopen, she also learns she is pregnant. This revelation prompts Sophie to wonder how her mom dealt with raising her on her own which leads into various flashback sequences of how young Donna, played by Lily James of CinderellaBaby Driver fame, came to meet her three lovers.

Ol Parker takes over as director and screenwriter for the sequel but doesn’t quite capture the magic and flow of the first, directed by Phyllida Lloyd & screenplay by Catherine Johnson (who wrote the original musical for the stage). However, there are moments that this movie really shines and leaves you with that warm, fuzzy feeling. The stars of this film are the new cast playing the younger versions of the characters we knew & loved from the first film. James completely embodies her role as young Donna. She commands the stage during her musical numbers and breaks your heart in the more tender moments. Her ‘Dynamos’, Jessica Keenan Wyn and Alexa Davies, are spitting images of their older counterparts, possessing all the flair and wit that Christine Baranski and Julie Walters brought to the roles. As for the men, they each compliment James with their charm, personality and singing abilities, which are far better than their older counterparts….(Sorry Pierce.) Hugh Skinner, Josh Dylan, and Jeremy Irvine handled their roles perfectly and they were a joy to watch onscreen.

mamamiaimdb

Cast from left to right: Hugh Skinner (Harry), Jessica Keenan Wyn (Tanya), Alexa Davies (Rosie), Josh Dylan (Bill), Lily James (Donna), Jeremy Irvine (Sam).          (photo courtesy of imdb.com)

Of course, you can’t have a musical based on ABBA songs without an awesome soundtrack. Some old favorites are brought back along with some new additions, helping the film feel fresh but familiar. I won’t spoil any of the choices they made, but as an audience member, I was swaying back and forth in my chair for most of the numbers.

Speaking of musical numbers, we haven’t even gotten to the surprise hit of the movie, Cher! That’s right. Cher plays Sophie’s grandmother, in the role she was born to play, considering Ol Parker had her in mind while writing the part. Cher embodies the over-the-top, Vegas grandmother character like only Cher can. When she sings, you feel the power of a performer who has done this millions of times. Her presence takes over the room, in a good way. She added much more joy to the film than I thought she would and she was a welcome addition to the cast that had me smiling every time she appeared.

Overall, this film is a worthy successor to the first Mamma Mia! film. I never wanted the flashback sequences to end due to the powerhouse performances of the new cast. The returning cast played their parts and kept the nostalgia factor high. This is a fun, easy-going summer musical that will leave you in a better mood than when you entered the theater. That’s the power of ABBA!

MammaMiaEndCredits

Photo courtesy of imdb.com

***Don’t forget to stay for the beginning of the credits. This mid-credit scene is worth the price of admission and possibly my favorite part of the movie! Also there is a short scene at the very end, but in my opinion it is not worth staying for.***